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| Stairs Down, Baby Ikonta, Efke R100 |
For this summer's
127 Day a couple of weeks ago, I had one roll of Efke R100 left, the last new roll of 127 film. With production of
127 format film ending last year, I also shot some 35mm
Rollei ATO 2.1, cut and rolled with backing paper I'd been keeping from all the 127 film I've used previously. As I mentioned in my previous post, for pictorial contrast, I pre-exposed some of the ATO film to raise the shadow values in an attempt to lower the film's innate contrast. As ATO is orthochromatic, it was a simple matter to cut the appropriate length of film and tape it to the backing paper under a red safelight. The images that result are cropped from the full frame size and include the sprocket holes, not a look I'm generally that keen on, but the convenience of using 35mm film in this way meant I could take more shots on the day.
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| Beckton Alp, Baby Ikonta, Rollei ATO 2.1 with pre-exposure |
I used my Baby Ikonta camera, and also the
Foth Derby (although I have yet to develop the film from it, so the images illustrating this post are all from the Baby Ikonta). I took
the Greenway from Old Ford Lock to Beckton, to the
Beckton Alp (or Alps), a mound of contaminated waste from the gasworks which featured a dry ski slope where I once learned to ski. The dry ski slope was removed some years ago, and the hill is derelict, the viewing platform at the peak having been removed, and it is essentially closed to public access, although I found a gap in the fence where a gate was missing, and the
graffiti, litter and fire damage to the remaining wooden structures suggest it is frequently visited. Reputedly the largest artificial hill in London, the views from the top are
panoramic.
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| Remains of the Dry Ski Slope, Baby Ikonta, Rollei ATO 2.1 with pre-exposure |
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| Beckton Retail Park, Baby Ikonta, Rollei ATO 2.1 with pre-exposure |
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| The Greenway, Baby Ikonta, Rollei ATO 2.1 (no pre-exposure) |
